Syracuse Symposium™ Presents Human Rights Film Festival Sept. 24-26
Festival is fall tradition, signature event of Syracuse Symposium™
Syracuse SymposiumTM continues its “Networks” theme with the 13th annual Syracuse University Human Rights Film Festival (SUHRFF), Sept. 24-26.
SUHRFF is co-presented by the College of Arts and Sciences (A&S) and the S.I. Newhouse School of Public Communications, both at Syracuse University. All events are free and open to the public, and feature American Sign Language interpretations.
Syracuse SymposiumTM is organized and presented by the Humanities Center, based in A&S.
“The Syracuse University Human Rights Film Festival is a fall tradition on campus, as well as a signature event of Syracuse SymposiumTM,” writes Vivian May, director of the Humanities Center and professor of women’s & gender studies in A&S. “This year’s lineup is particularly strong, using critically acclaimed independent films to explore issues of social justice around the world. My hope is that this festival—and Syracuse SymposiumTM, in general—will stimulate a sustained dialogue about these issues and ways they may be addressed.”
SUHRFF kicks off on Thursday, Sept. 24, with a screening of (T)error at 7 p.m. in the Melanie Gray Ceremonial Courtroom of Dineen Hall (950 Irving Ave.) Directed by Lyric R. Cabral and David Sutcliffe, the film is the first to capture an FBI counter-terrorism sting operation as it unfolds. With access to informants and suspects, the 2015 documentary exposes how the FBI incites targeted suspects to pursue criminal activity, in order to entrap them on terrorist charges, posing the all-important question “Who is watching the watchers?”
Cabral and Sutcliffe will introduce the film and then, afterward, will participate in a panel discussion with William Banks, interim dean of the College of Law, professor of law and of public administration & international affairs, and founding director of the Institute for National Security and Counterterrorism (INSCT); Nathan Sales, associate professor of law; and William Snyder, visiting assistant professor of law.
“(T)error is a thrilling and eye-opening documentary about the domestic surveillance apparatus,” says Roger Hallas, associate professor of English in A&S, who co-directs SUHRFF with Tula Goenka G’86, professor of television, radio, & film in the Newhouse School. “We’re delighted to bring together its filmmakers with esteemed experts from the College of Law for what promises to be an equally enlightening discussion after the film.”
Opening night is co-sponsored by INSCT in the College of Law and the Department of Political Science in the Maxwell School.
Public parking for the event is $5 in the Irving Garage on Stadium Place.
Director Chad Stevens will introduce the film, as well as participate in a panel discussion afterward with Matthew Huber, associate professor of geography in the Maxwell School.
SUHRRF concludes on Saturday, Sept. 26, with a screening of Margarita, With a Straw at 7 p.m. in Shemin Auditorium. Presented in Hindi and English with English subtitles, the 2014 film is about a young woman with cerebral palsy who leaves India to study in the United States, only to unexpectedly fall in love.
“In light of the 25th anniversary of the Americans with Disabilities Act, we are proud to close our festival with director Shonali Bose’s sensitive exploration of disability and sexuality, following a young Indian woman’s path to self-empowerment and sexual liberation,” Goenka says.
Rounding out SUHRFF are the following events on Saturday, Sept. 26:
Screenings: Stories of Our Lives and BlindSight
Directed by Jim Chuchu, Stories of Our Lives is a series of vignettes about Kenya’s LGBTQ community. The 2014 anthology film—presented in Swahili and English, with English subtitles—has been described by one critic as a “labor of love and a bold act of militancy.” It is followed by BlindSight, Bob Sacha’s acclaimed 2014 short about the visual imagination of blind and visually impaired photographers.
Screening: Landfill Harmonic
This 2015 documentary, co-directed by Brad Allgood and Graham Townsley, follows the Recycled Orchestra of Cateura in Paraguay, whose young members make their own instruments out of trash from a nearby landfill, one of the largest in South America. The film is presented in Spanish with English subtitles. Afterward, Allgood will participate in a Skype interview.
There are several free parking options for the Shemin Auditorium events. On Friday, they include the Q4 Parking Lot on College Place, as well as any of the "open lots" around campus. On Saturday, free public parking is available only in Booth Garage on Comstock Avenue, between Marshall Street and Waverly Avenue.
SUHRFF is co-sponsored by INSCT, the International Relations Program (Maxwell School), the Latino-Latin American Studies Program (A&S), the LGBT Resource Center, the Program for the Advancement of Research on Conflict and Collaboration (Maxwell School), and the South Asia Center (Maxwell School).
Additional support comes from the David B. Falk College of Sport & Human Dynamics; the departments of Anthropology, Geography, Political Science, and Sociology, all in the Maxwell School; the departments of Art & Music Histories and Women’s & Gender Studies, as well as the LGBT Studies Program, all in A&S; the Department of Communication & Rhetorical Studies in the College of Visual and Performing Arts; the Disability Studies Program in the School of Education; the Disability Cultural Center; Students Advocating Safe Sex and Empowerment; and the Department of Environmental Resources Engineering in the State University of New York’s College of Environmental Science and Forestry.
The Syracuse University Humanities Center, founded in 2008, fosters public engagement in the humanities, and is home to the Syracuse Symposium™, the Central New York Humanities Corridor, the Jeanette K. Watson Distinguished Visiting Professorship, the Mellon Visiting Collaborator, the HC Mini-Seminar and Symposium Seminar series, the Perpetual Peace Project, and other annual research initiatives, annual fellowships, and public programming.